Spankers Gallery – The Headmaster’s Study
Spankers Gallery was a regular feature in Roué magazine and here is the first ever from Roué 8.
These next few pages comprise the first of an intended
series of little ‘galleries’, in which the work of several ‘spanking
illustrators’ will be given an airing (like the bottoms of their nubile
subjects), and this initial article concerns School Discipline as portrayed by
one such artist.
With ‘instant imagery’ monopolising the media these days,
one might be tempted to dismiss drawings and paintings as being ‘second best’,
but I hope to show that on the contrary, illustrations which have taken
considerable time and patience to produce frequently have much more to say, and
are very much more evocative, than any photograph could be.
Undertaking even a small series of drawings such as are
reproduced here can be no mere whim. Time and effort must be expended, and the
results, to be satisfactory to the artist, have to achieve a fair
representation of what he had in his mind in the first place, and by the same
token his original conception must have included ingredients; a subject, an
idea, a mood, an atmosphere, worthy of the care which needs to be lavished upon
this first conception to bring it to a certain degree of actuality.
A careful look at these illustrations then can supply more
information than may be first evident; a thoughtful examination sets us off on
a journey of discovery through the artist’s mind, and indeed supplies us with
an intimate insight into the situation and the characters which are the
expression of the artist’s idea on paper. If this idea sparks off new ideas of
our own we are the richer. How many ‘instant image’ photographs could have done
the same so effectively?
This series of three drawings deals with a simple situation,
the sixth-former who has been silly enough to earn herself a punishment in the
Head’s study. It is to be a knickers-down tawsing, as she well knows, and at
first glance it is not a format which offers any particularly exciting
prospects to the artist, being quite straightforward and incapable of much
embellishment.
And yet, faced with the task of illustrating such an ‘ordinary’
situation, the artist has used its very ordinariness to make all the important
points. Drama is introduced, not by wild and sweeping statements, but by
utilising the formality of the occasion to bring the tension of each movement
into the action.
Detail there is, but none of it irrelevant, and the orderliness of the figures, the neatness of dress of both the girl and the man, is complemented by the finicky precision of the arrangement of the school trophies on the Headmaster’s mantelpiece, the regularity of the books in the bookcase, the care with which the tawse has been placed on the little table, and even the girl’s lowered knickers are tucked fastidiously around her thighs, not allowed to straggle at her ankles.
Formality is everywhere. The anxious girl stands with her
feet neatly together, her hands behind her back, the pleats of her skirt
carefully pressed and her tie perfectly straight. The Headmaster’s black suit
is exactly right, and the two figures are linked together by the rectangular
tension of the tiled fireplace. The tawse is placed exactly between the two
figures, balancing authority on the one hand against obedience on the other.
Everything about these three drawings tells us that the Headmaster runs a tight ship with a disciplinarian’s attention to detail. We have no doubt that every other girl in the school will be as neat and tidy as the unfortunate sixteen-year-old whose comeuppance is at hand.
It is no surprise that she holds her gymslip up to her waist while her knickers are taken down — with a disciplinarian headmaster this obviously won’t be the first time that her young bottom has felt the sting of the tawse, and there can be no doubt that the Headmaster wouldn’t tolerate anything but absolute obedience — the idea of doing anything other than exactly what she is told simply wouldn’t enter this girl’s head. What matter that she thinks herself too old to be half-undressed by the Headmaster. What matter that the taking down of her school knickers is obviously a situation which the Headmaster thoroughly relishes. She knows better than to argue. She can only avert her eyes while she clings on to her gymslip and dreads the coming punishment.
The tawsing, when the Headmaster eventually gets round to
it, is as well-ordered and formal as everything else. The girl lies across his
lap without the need for her legs to be clamped between the Headmaster’s own,
and the hand on her back is no more than a reminder not to wriggle so much that
the tawse can’t accomplish its job on her bared bottom. Somehow supressing the
urge to squirm off his lap and away from the smacking, stinging tawse, the girl
bawls lustily as she is spanked with methodical strokes on her plump,
vulnerable bum, pressing her knees together as she tries not to kick too
violently. Even the tawse-marks on her bottom flourish in neat, two-tailed
pairs, first on one trembling cheek and then the other. And the weals where the
leather tawse has strayed to the backs of her thighs? From what the artist has
told us about the Headmaster by his precise, meticulous draughtsmanship, we can
be quite certain that the tawse didn’t land on her plump legs by accident. The
Headmaster wouldn’t be so clumsy. There is no doubt that he spanked those
reddening marks with deliberate care, just as he is now overlapping the first
smarting weals with another crop of tawse-marks, knowing precisely what he is
doing and fully in command, as we always knew he was.
Armed with the information so thoughtfully supplied in
these drawings, reconstructing the unlucky sixth-former’s interview with her
pedantic headmaster is simplicity itself…
THE HEADMASTER’S STUDY
The coal fire flickering in the grate is hot on the
bareness of her legs below her short gymslip, and the warmth edges up under the
skirt and around the snug fit of her school knickers. The warmed air finds its
way between her legs and the backs of her knees feel as though they are
burning. Surreptitiously the girl moves sideways away from the fire’s direct
heat, her eyes never leaving the balding head which is bent over the desk, pen
scratching fitfully in an exercise book. The pen is placed neatly on the desk
and another pen is substituted, dipping into the red ink bottle and then
scrawling across the paper. She knows what it is writing. ‘See me.’ The only
time old Beaky uses red ink is to write those two dreaded words in exercise
books. Red for danger. Red for smacked bottoms! Red, like hers is going to be!
‘Don’t fidget girl!’
‘N-no sir.’
The fire isn’t so hot on her legs any more but the skin is
still burning up the backs of her thighs. Like the sizzling sting in your bum
after you’ve had the strap. She shivers despite the warmth of the fire.
Like her bum is going to feel before too long.
‘Now then —’
She starts, the Headmaster’s sharp voice making the panic
thrill through her. She watches with anxious eyes as the tall, slim figure
stalks round from behind the desk. From a glass-fronted cupboard he takes a
short, shiny leather strap, divided for half its length into two flexible tails
which swing independently as he comes over to her by the fireplace. He stands
directly in front of her, his eyes bright over the tops of his half-frame
spectacles, the tawse stroking obscenely between his slim fingers.
‘Does your form mistress know that you are here girl?’
‘Yes sir.’
‘Does she know why?’
‘Y-yes sir.’
‘Do you know why?’
‘Yes sir — to b-be punished, sir.’
‘Yes — quite so.’ The leather tails smack quietly into his
palm. The girl wrings her hands behind her back and tries not to let her young
breasts push out so provocatively under her grey gymslip.
‘You’ve made yourself comfortable?’
‘Yes sir.’ She has been to the loo three times in the last
hour. The prospect of getting her bum tanned always seems to do that to her.
‘Right —’
She follows obediently behind him as he goes to the chair
beside the bookcase. Sitting down he beckons her close.
‘Clean knickers?’
‘Y-yes sir.’ She knows the drill well enough. She ought
to, never a term goes by without she pays at least one visit to this little
room and never a visit ends without tears.
‘Let me see ‘em then.’
It is always the same. The sheer humiliation of having to
do it is almost worse than the whacking itself. The plump swell at the apex of
her thighs peeps timidly from under the hem of her reluctantly raised skirt.
‘Come on, get it up!’
‘Y-yes sir —’
The well-filled schoolgirl knickers claim all of the
Headmaster’s attention. She hoists her skirt up until the lower edge of her
blouse appears below the waistband of her gymslip. The Headmaster mutters
between his thin lips as his eyes peer lasciviously over his glasses.
‘You’re getting to be a big girl, aren’t you, eh?’
‘Y-yes sir —’
Cool fingers hook under the elastic of her pants and draw
them down over the maturing roundness of her hips. She shivers at the touch and
looks away, not wanting to see the gleam in the Head’s eyes. Her firm young
bottom trembles as it is patted familiarly, and then a hand slipping between
her legs nudges her over the Headmaster’s knees, her soft belly pressing down
on the bony legs, thighs pressing together against the intrusion of his
insulting fingers. She arranges herself as she has learned to do on other
occasions, legs straight, bottom up nice and high, knees together and head
down.
The Headmaster settles the girl across his knees, runs a
hand over the smoothness of the plump cheeks, smacks them lightly and hears her
nervous gasps as he teases her bum with more playful smacks, then with
deliberate and ritualistic pedantry he makes her recite the reason for her
imminent spanking while he takes the tawse and strokes its cold leathery-ness
to and fro over the warm vibrancy of its naked target.
‘S-sir — I’ve been a bad girl sir — I’ve been rude to Miss
Davies sir — and b-bad girls have to be punished sir —’
‘Quite so my girl, quite so.’ The tawse smacks wickedly
down across the tremulously waiting cheeks.
‘Oooh —’ The girl’s hips worm temptingly across his lap.
Another soft swooshing sound heralds the sharp Crack! of the
second stroke, which makes the frightened sixth-former twitch her cheeks
together and gasp breathlessly as the smart stings her bottom and makes her
pink bum-cheeks bounce delightfully.
Tears start from under her eyelids as the third and fourth
strokes curl across the bareness of her buttocks. She pants rapidly, trying not
to cry.
Whack!!
‘Ooo — s-sir —’
‘Quiet girl —’
Thwack!!
‘Oow —’
Smack!!
She starts to sob, stifling the sound as well as she can
until the next two bum-scorching strokes make the effort not to blubber too
much. She splutters into tears. The strap descends with regular ‘Splatts!,’
the reddening tail-marks flooding hotly across the round curves of her bum and
striping the freshening glow with precise and evenly-spaced pairs of
tawse-marks.
Still the girl manages to maintain the prescribed
position, bum still offered obediently up to the wicked strap, legs straight,
knees and feet together, afraid to struggle against the inevitable for fear
that she’ll make it worse for herself, little-knowing that her attempt at
stoicism is prolonging her ordeal.
With the tawse going at a regular rhythm the Headmaster
watches for the signs. Years of experience tells him exactly what effect the
spanking is having on the girl. He knows that her sobbing is becoming less
controlled, can feel the quick little snatches and jerks of her body which
betray the effort she is having to put into keeping still, and he knows too
that a couple of really good stingers will break her tenuous self-control. But
he resists the temptation. He spanks her with precisely the right amount of
crispness exactly the right snap of the wrist, to keep her hovering on the brink
of losing control without pushing her over the edge. Her well-tanned bottom is
wriggling spasmodically now, her hips bouncing with every stroke of the tawse,
her knees beginning to bend as the strap works its way back over the tenderness
of the first strokes. She gasps tearfully, swerves her stinging bottom
desperately, and then she loses her grip.
As she starts to squirm with a new and abandoned
liveliness, the Headmaster raises his striking rate and lets her have the last
half-dozen with all the gusto he can manage. She struggles helplessly, rearing
up with each whack and bawling at the top of her voice, squealing completely
without control an instant after each of the last few strokes lands squarely
and agonisingly across the quivering tenderness of her glowing cheeks.
Even when the tawse has been replaced neatly on the table,
the girl still wriggles weepingly over her Headmaster’s knees, self-discipline
gone and all pretence of grown-up-ness evaporated. She might be a sixth-former
or a first-former as she cries wretchedly with her bare and punished bottom
still twitching.
The tawse, its reputation intact, lies smugly once again on the little table and awaits its next victim.





Some excellent artwork and text, though perhaps the familiar and inimitable style of the very top illustration is the absolute best - the work of Alan Bell I presume, and maybe he wrote the text also?
ReplyDeleteI am quite taken with the second picture down (excluding the aforementioned excellent title illustration). The pretty girl's anguish at having her knickers taken down like that is very well captured. I am very much in favour of that way of doing things - making the miscreant obediently hoist her skirt(s) right up high above her waist so that everything in front and below is fully exposed to the gentleman disciplinarian's greedily attentive gaze. Then the unveiling, as it were, keeping her skirts held high as her knickers come down, and her bush is fully displayed. A good time to grill her about boyfriends and any nefarious goings on. All very shaming and psychologically traumatic and an excellent accompaniment, of course, to the physical agonies of strap and cane. Most enjoyable, on the other hand, for the gentleman in charge.
I concur with everything you say. A fine tiptych that takes us into the world of the headmaster's study. As suggested in the preamble, drawings can convey so much. What comes across so well is how the headmaster thoroughly enjoys punishing and humiliating the unfortunate sixth-former. From talking down to her in the first picture, tawse playfully held in front of her so he can watch the trepidation in her eyes, and in the second, gazing brazenly at her pubic bulge, and finally the third, as he gleefully raises the tawse, knowing from experience the precise weight of stroke to deliver that will cause the right mixture of squirming, wiggling, gasping and wailing to please him the most.
DeleteAnd yes, the second is definitely the best, and yes, definitely ask her about boyfriends at this point, and maybe experiences with older men, crushes on any of the teachers etc. She will likely admit to anything, thinking to get it over with as soon as possible, but on the contrary, any salacious details she divulges will just encourage the headmaster to prolong her exposure.
So pleased our thoughts are as one on these matters. I neglected to mention that the denuded cunt may also be handled during questioning. Of course, the initial touch is like an electric shock to a girl in this circumstance, completely 'mind-zapping' to use Blushes' parlance. She is likely to attempt to shrink away from the questing fingers but she must be barked at to remain in place and absolutely still. The shame of having to answer detailed questioning about sexual activity is greatly enhanced by such treatment. Has she been touched 'there' by any boys for instance? In what ways? And exactly when? Has she actually 'done it'? Even if she is largely innocent of boys, what are her sexual thoughts, does she play with herself? All of the wickedness must be drawn out of her and she must be confronted with her own filth. A skilled disciplinarian will know exactly when a girl is lying or evading the truth and she will know when he knows. She will also know that the penalty for lies and evasions is increased punishment, even more than she will get for her shameful confessions. Any wetness or signs of 'enjoyment' (no matter how 'involuntary') may also be used as evidence against her.
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