Room 2D

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A short story followed by analysed illustrations from  Roué 10 If there’s one venue which turns up in spanking literature more than any other when there’s a young lady’s bottom to be spanked, it’s a school. This isn’t surprising, since smacked bottoms are associated chiefly with the wrongdoings of those not yet mature enough to act in an adult way, and with a school as a starting point the writer, or artist, has a ready framework within which to construct his tale or to delineate his picture. A school setting is ideal. For one thing it would be perfectly believable for a school to be populated with those eminently smackable young things, teenage schoolgirls, and furthermore it would not be beyond the bounds of credibility for that school in which these potentially bare-bottomed young ladies reside to be an institution in which discipline, as applied to the knickerless feminine posterior, is rigidly enforced. That attribute, an autho...

Analysed illustrations and a short story from Roué 9 The most ubiquitous inhabitants of spanking stories and spanking art concerned with domestic discipline are uncles. Uncles are the most flexible characters, and an uncle can be invented to fulfil any role, from that of surreptitious pincher of girl’s bottoms to ravisher of innocents and/or bastion of middle-class decency and disciplinarian bulwark against the temptations facing a young girl in the immodest world of today. Uncles tend, by and large, to be conservative, respectable and lecherous, a combination of attributes which allows them to preach against the undisciplined tendencies of a Modern Miss while simultaneously revelling in the taking down of her pants, and getting away with it meanwhile by harking back to ‘the old days’ and muttering things such as — ‘spare the rod’ — and, ‘it didn’t do  me  any harm’. Uncles, then, are indulged by those who might be in a position to criticise, while themselves being ideally s...

An excellent story from Roué 17 with some lovely illustrations. Sadly the last in the Mr Dupont series. The first part of this story appeared in Roué 12 under the title; ‘ Oh to be in April… ’, wherein Mr Dupont, teacher of pianoforte and other instruments, persuades young April’s mum that his cottage in the country would be a much safer place in which to pursue her studies than London in the autumn of 1939. ‘You be a good girl. April!’ says her mum. ‘There’s plenty of kids would give a lot for the chance Mr Dupont’s givin’ to you!’ ‘An’ you make sure she don’t give no trouble, Mr Dupont! If she starts playin’ you up, you put a stick acrost ‘er backside!’ Mr Dupont takes April’s mum at her word, needless to say, and this second part of the story picks up the thread shortly after April’s birthday in the early summer of 1940, when a certain routine has become well established. A pipe at this time of day was somethin...