Room 2D

A little remiss of me to have waited so long to post this namesake classic from Roué. Updated 12-Dec-23 with remastered video.

Angelic looking Lucy Palmer, guilty of dropping some hymn books during Choir Practice, is sent to the feared St Angela’s Punishment Room. Mr Harris meets her and explains the purpose of the room and has her take her skirt off. She is then made to bend over the desk to await Mr Clark. Before leaving, Mr Harris takes, down Lucy’s tight school knickers and a beautifully rounded young bottom is revealed. Mr Clark, a tall, fearful-looking man, enters the room with poor Lucy still laying across the desk, nervously awaiting the impending punishment. She receives several spanks and then the cane is taken down and then the wretched girl undergoes an awe-inspiring thrashing. The tears flow as, stroke by stroke, Lucy takes her beating. She bites her lip and grips the far edge of the desk and we are left in no doubt that Lucy’s tears, along with the lashes of that cane, are absolutely genuine.

Review from spankingfilmreview.com:

An oldie, and several reviewers have called it one of the very best CP films ever made. We have betrayed our preference for vintage schoolgirl themes with story lines, and this film captures all the nuances. The character Lucy Palmer, who has some naughty roles in other Roué films, portrays a schoolgirl who has run afoul of the choir director by spilling a pile of treasured hymnals. It would be difficult to suggest an actress to compete with Lucy’s perfect schoolgirl vulnerability.

Lucy is a curly-blonde, with big blue eyes, wearing a necktie, blouse, cardigan sweater, blue skirt, and white knee socks. She has been summoned to the punishment room, and from her pouting and ashamed look, she knows exactly what is about to happen.

Mr Harris, a young teacher whose job it is to prepare Lucy, enters the room, consults the punishment book, and directs Lucy to raise her skirt and display full white panties. Her baleful, desperate facial expressions contribute much to the suspense. As she faces him, Harris slowly pulls down her knickers to her thighs, displaying a full tawny patch of pubic hair. Lucy endures this indignity without a twitch as Harris takes in the sight.

Leisurely, she is assisted to lay bare-bottom over the desk, grasping the edges, frightened blue eyes, buttocks high. A full screen oblique depicts just what a magnificent bottom she brings to the film. Harris can’t resist smacking that target a few times as he perfects her posture and leaves her to await the disciplinarian.

Mr Clark enters, delighted with Lucy’s presentation. After some scolding, he begins a hand spanking. Exquisite close-ups, gasps, facials. This film came from an era when a bottom needed to be warmed before the cane. Clark gets his cane and lays on 12 increasingly severe strokes. Some are filmed from her suffering face, her bottom rising in the background. He circles the desk — Lucy desperately tries to follow his movements to anticipate the next stroke.

‘Stand up. I want you to pull your knickers down one more inch.’ Clark begins a long, slow caning. Lucy wipes tears from her moon eyes. ‘Keep that pretty little bottom of yours up in the air… bottom up!’ He fondles.

These men are just having their fun with this helpless delectable morsel of a student. To make matters worse for Lucy, ‘I hear through the grapevine that it’s your birthday today… take your skirt off!’ He leaves to fetch the headmaster, for what seems a school tradition, and Lucy is already in position for it.

 

Comments

  1. New Moral Order21 March 2023 at 16:25

    The most wonderfully authentic looking 'schoolgirl' to ever grace a spanking video. Lovely round bum also which only gets delectably fatter and wobblier in the fabulous 'First Week of Term' film. Her shatteringly vulnerable performance in this film (Room 2D) must surely warm the cockles of every gentleman disciplinarian's heart. I think she took her strokes very bravely. Tears and plaintive yelps, of course, but no silly, unseemly struggles and noisiness. That's what we like to see. My only slight gripe is with the film's disciplinarians. They're too young, in my view. I'm not too keen on the silly 'posh' accent affected by the first chap either. The second fellow is also wearing white jean trousers. I don't think jeans would ever have been worn by masters within the hallowed precincts of St Angela's, and certainly not in Room 2D! Tweeds only, surely? I did, however, enjoy the off screen sounds of the masters chortling between themselves during the handover.

    Legend has it that there is a longer version of this film, in which the Headmaster comes along and canes the girl further. From what I can make out, this seems to be a bit of an urban myth. I do like the current ending, with Lucy being left kneeling with her skirt off and knickers down and blouse raised, so that her pussy is fully on display, to await the attentions of the headmaster who will check that 'everything is as it should be' it being, we are told her birthday (and what a way to celebrate one's birthday!). What could that possibly mean? That she is still 'intact' is what springs to my mind. It's a rather amusing picture to be left to one's imagination, the headmaster peering, possibly with some kind of instrument, into the girl's vagina in order to determine whether or not. And what if she is not intact? What will be the punishment for that? Or maybe the headmaster will find out just by fucking her himself?

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    1. As ever, NMO, I find myself in full agreement with you. Older schoolmasters are far better suited to disciplining the errant schoolgirl. For one thing, there will be no possibility of a silly schoolgirl crush on a younger master, which would complicate matters. Indeed, having to take her knickers down in front of a bespectacled, balding and portly old master and wait, skirt up, while he fixes his beady eyes on her pussy, is an excellent remedy for any modern miss. And of course, it should be tweeds all round!

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  2. I would add my agreement to this point on the masters. Wiry fashion victims with reedy voices are no substitute for tweedy figures of more senior years.

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