Bringing it to Life
From Uniform Girls 19 with Wendy Collings
Christina was over the moon. At long last, the big break
had come. After dancing on decrepit stages in dubious old working men’s clubs,
she was virtually dancing on air as she told her friends about the audition. ‘I’ve
got it!’ She jumped up and down, waving the letter of confirmation. ‘A two-hour
pilot and then the series; and it could run and run.’ She ran up to her room,
and rang through to the production company’s office. ‘Yes. Christina Jones,
here. Yes. Just to say I’ll be there, tomorrow at noon.’
Battlestar Vision was one of several up and coming small production houses providing television programmes to independent television stations through Europe: and their young Managing Director, Chris Thorne, was justifiably pleased with his company’s latest coup. A brand-new British-based soap opera, sold to one of the biggest cable-networks in Europe. The series would start with a major two-hour pilot, after which, it would settle down to a twice-weekly half-hour. Plenty of work for British actors, and plenty of money too, flowing in to the coffers of Battlestar Vision. And there was one really unique aspect to the package: it was a soap with a difference: historic soap was the catchword. A modern drama series with all the audience-attracting elements of conventional soap, but based in late Victorian Britain.
Christina was early for her interview with the casting
team. She nodded politely as they explained the part they intended her to play.
A maid. That’s right. A very useful role for the scriptwriters because a maid
has access above and below stairs. She can hear and relay all sorts of gossip…
They told her the planned production schedule. The script for the pilot was
already written: the programme would go into production in two months’ time
ready for completion in mid-summer. The network would be broadcasting it in the
early autumn, ready for the big pre-Christmas audiences. Before that, each
regular member of the cast would be sent on special assignments relating to
their particular part. A doctor would be sent to an old hospital with access to
the establishment’s Victorian records. The man and woman who would play the
major roles of Lord and Lady Harmon would spend a month in one of Britain’s
smaller stately homes: and Christina was to visit another minor stately home,
to work as a maid.
Chris Thorne had made all the arrangements himself. ‘I am indebted to you, Sir Richard.’ He shook hands with the dignified old man who was willing to throw open his private home to a young nineteen-year-old actress. ‘She’s a bright lass.’ Chris assured Sir Richard. ‘She had to get her Equity card through dancing but nevertheless she’s a delightful little actress. Just you make sure she gets plenty of colour. She’s got to really live her role, you know.’
They shook hands again. Chris walked past the bronze
Bentley in the driveway and unlocked his modest Rover. ‘Any problems, just give
me a ring.’
A few days later, young Christina arrived at the end of the long drive. When she saw quite how far the walk would be to the house, she regretted having caught the bus, but she grasped hold of her suitcase and holdall and set off along the tree-lined gravel track. She was hot and a little weary when at last the enormous house loomed into view. It seemed very quiet. She stopped and listened. Apart from the occasional birdsong she could hear no other sound. ‘Thank goodness the days are getting longer,’ she thought to herself as she gathered together her bags for the final few yards walk. ‘This sort of place could be pretty creepy at night…’
Sir Richard answered the door himself. He beamed warmly at
the young girl and extended a firm hand. ‘Ah. Miss Jones. Delighted to meet
you. Do come in.’ She noticed immediately his rather unique way of talking;
always in short phrases, with each phrase ending with almost a subdued chuckle.
He seemed an amiable sort, and friendly too. Just as well in this gaunt and
lonely place. She followed him as he slowly climbed the winding main staircase
and led her along the landing towards her room. ‘The Blue Room,’ he wheezed,
the exertion taking its toll on his respiratory system. ‘Make yourself at home,
do.’ He flung open the door, and stood aside as she struggled put him with her
case and bulging holdall.
‘James is preparing afternoon tea for five. Do join me in the Dining Room at that time.’ He dug deeply into his waistcoat to extract a small gold fob-watch. ‘That’s in an hour’s time. You’ll hear the grandfather on the landing strike the quarters.’ A final chuckle and he closed the door after him, leaving young Christina alone to assimilate her new environment.
Downstairs, Sir Richard puffed his way into his study. He
dialled the sequence of numbers written down across his blotter. ‘Young Thorne,
please. Tell him it’s Sir Richard…’ He waited for a few seconds while the
internal extension clicked through. ‘Ah, Thorne.’ It seemed to be Sir Richard’s
way of greeting everyone. ‘Miss Jones has arrived… on time as well.’ He waited
while Chris Thorne opened a slim file on his office desk.
‘Good, Sir Richard. Now, I’m sure you know what we want. This project won’t work in Europe unless its convincing; and that means young Christina has got to really live the role; really get inside the character. You’ve got just a week or so to really get it into her; and of course, as one of our major shareholders, I am sure you will be looking for a good return on your kind investment…’ The old man chuckled quietly to himself. ‘You need not fear young Thorne. We begin our work this afternoon.’
Christina was amazed by the dated decor of her room. The
bed was vast, and so high off the ground, and all around her the heavy ornate
trappings of Victoriana dominated the room. The place seemed almost frozen in
time. No wonder the casting people had suggested this short stay. She could
almost touch the atmosphere; almost hear those young gossiping maids of almost
a century ago. Almost smell the floor polish, the scented wood; the potpourri
in the large earthenware bowl. She busied herself by unpacking her clothes,
discovering the various drawers and cupboards in the room. She turned the large
iron key in the lock and then stripped down to her bra and knickers, discarding
her tee-shirt and jeans with the stale smoke and dust of the long bus journey.
The tall grandfather clock on the landing outside her room tolled the
three-quarters with a ponderous solemn sound.
‘Crikey. It’s almost five o’clock. Best not be late.’ She
slipped into a pretty summer dress and light open sandals, unlocked the door,
and skipped softly along the landing and down the wide curving stairs. ‘The
Dining Room. I wonder where…’ She looked round and then spotted the enormous
table through the opposite open doorway. She knocked politely on the dark oak. ‘Ah.
Miss Jones. Do come in…’ She pushed the door further open and stepped inside.
Sir Richard was sitting at the end of the vast table, a silver tea service
gathered around him. As he looked up, his smiling countenance changed.
‘Miss Jones. I was under the impression that you were here to work as a maid?’ Christina looked quizzically at him. ‘Miss Jones. Your uniform has been provided. It was placed upon your bed. You have had an hour to get ready. Why have you come in here dressed like this?’ He emphasised the last few words of his angry question by tugging at her dress with his podgy fingers. ‘You have exactly five minutes to get changed.’ He pointed in the direction of the hall. ‘Or else you can leave right now…’
She scampered away from him, across the wide hall and back
up to her room. Sure enough, across the end of the bed was draped a very long
skirt, she observed as she held it against her hips. Shame really since she had
the legs of a dancer. The blouse was really rather pretty; very delicate; very
lacy and pure Victorian. ‘I could really get into this,’ she thought to herself
as she fastened the skirt around the trim waist.
‘Shoes?’ She looked round the room. At the foot of the bed were some neat and sensible shoes; and to her surprise, they fitted perfectly. ‘Someone at Battlestar certainly did their homework,’ she noted as she set off for the Dining Room again.
‘Good.’ Sir Richard was waiting for her. ‘You may serve
the tea in a moment. But first…’ The solid old man stepped forward towards her,
and without any undue fuss, lifted the hem of her skirt and slapped her
knickered bottom.
Poor Christina was speechless with surprise. ‘Your Victorian counterpart would have fared far worse, young lady. From now on, do as you’re told. Now pour the tea.’ Christina knew she was blushing as she stepped in front of him towards the long table. She wanted to rub the stinging patch on her bottom. More importantly, she wanted to put her hand across the arrogant old man’s face. ‘The dirty old man! Fancy slapping me!’ Her indignation grew, until her hands were trembling slightly with her silent rage. She had some trouble pouring the tea, not being used to the size and weight of a silver tea service. She carried the cup and saucer across to the man, and returned with the sugar bowl. He was smiling again now. ‘Do please join me, Miss Jones.’ She sat down close to him and sipped nervously at her tea. She hated the drink usually; but thought perhaps she ought to just keep quiet on this occasion.
‘I think I ought to make one thing quite clear.’ Christina
had taken a deep breath before venturing to speak. The old man raised his
eyebrows slightly, but remained quiet, obviously waiting for the girl’s
momentous statement. ‘I am an actress, Sir Richard. Not your personal skivvy.
And one thing you don’t do is… is smack my bottom…’ She was surprised when he
burst out laughing, his mirth forcing him to place his cup and saucer on the
table for safety’s sake. ‘Miss Jones. You are here to learn the life of a maid.
And that means the real thing. I shall spank you whenever I consider it
necessary.’
Christina leapt to her feet. ‘That’s what you think, Sir Richard. I…I’m reporting you to my producer!’ She marched the length of the room and opened the door into the hall. Hesitating slightly, she turned round. ‘I’m going to use your phone. I’ll leave the money when I go…’ She quickly closed the door, ran up to her room, searched through her little address book, and having found Battlestar’s London number, ran back holding the page open. She thought Sir Richard might be in the hall, intending to prevent her using the phone. But he was nowhere to be seen. Quickly, she picked up the handset, listened for the dialling tone and dialled the string of digits. The old phone seemed to take an eternity for its dial to return between each number, but at last she heard the distant number ringing. The usual receptionist answered. ‘Mr Thorne… please… quickly…’ She waited again. Eventually, she recognised his voice. ‘Oh, Mr Thorne. Thank Goodness I’ve got through to you…’
Sir Richard quietly gathered together the remnants of his
tea and left the Dining Room through the doorway which led to the kitchens.
James was already preparing the evening meal. ‘Sir Richard…?’ The old man
placed the large silver tray carefully on one of the several preparation
tables. ‘Don’t worry, James. All is under control. There is no need for worry;
no need whatsoever…’
Quietly, he shuffled back towards the front of the house. The hallway was empty; the telephone was back on its rest. He crossed in front of the staircase and went into his study. He too dialled the number which Christina, moments earlier had been dialling. ‘It’s alright, Sir Richard. She’s been told, fair and square. She’s a self-righteous little madam anyway. If she wants that part with us, she’s going to have to change her ways. She’s been told that if we hear of any problems between you and her, she’s finished.’
Taking his time, the old man climbed the staircase and
made his way towards her room. The door was open. She was sitting on the side
of the bed. He pushed the door and it opened wider.
‘Well, Miss Jones?’ She stood up as soon as she saw him, and fingered her skirt nervously. ‘Are you staying?’ She looked at him. ‘Yes. I’m staying. Sorry for that little outburst downstairs.’ She offered him a smile. ‘Shall we start again?’ Sir Richard agreed. ‘A very good idea, young lady. A very good idea.’ He sat down on the large substantial bed. ‘Insolence… disobedience… cheek… insubordination… that should do for a start…’ He patted his knee.
She understood. Mr Thorne’s words were still ringing in
her ears. She realised that she was willing to do almost anything to make sure
of that acting role. International television and cable rights? Many actresses
before her had sold their souls for far less.
Silently, she draped herself across the man’s lap, until she was lying face-down against the slightly musty bedspread. He rucked up her skirt, stared silently for a while at her beknickered bottom, and then used his chubby fingers to tug the flimsy white fabric down to her knees. ‘You do have a delectable bottom, my dear.’ He commented, patting each upturned cheek. ‘I think five minutes across my knee should put you right…’
It was almost ten minutes before Sir Richard wheezed his
way back down to his study. She stood in front of the long Victorian mirror,
her knickers still down around her knees. Holding up her skirt, she surveyed
her crimson bottom. ‘Oh my God!’ she muttered. She ran some cold water into the
wash-basin, washed her face and smoothed her wet hands over her hot
bottom-cheeks. She sighed as the cold gave her some relief from the sting of
her recent spanking. The grandfather clock outside struck another hour. ‘Oh,
Crikey. It’s six already. I daren’t be late. Dinner at quarter past… heaven
only knows what he’ll do if I’m late…’
Sir Richard knew exactly what he would do. Down in his study he pulled open a wide drawer. A cane… a large oval wooden-backed hairbrush… and a few other most interesting items. After all, the old man had a promise to keep. Christina would really know her role by the time she reached the drama studios. Yes. He would be very diligent in his work for the next week or so; he had his investment to safeguard. He fished around again for his fob-watch. She was late already. My word. This was going to be a long hard session!
The story continues in Join the Dots…
A Victorian soap opera set in a stately home or mansion? It's a great idea. Has anyone ever done that? I know there's been the likes of Upstairs Downstairs and Downton Abbey but they're TV series not soap operas in the continuous week-in, week-out format of Coronation Street or Eastenders. I'm a huge fan of Upstairs Downstairs (actually set between 1903 and 1930, so not Victorian but that hardly matters), although the upstairs family were actually a bit too kindly and benevolent for my liking. My favourite character was Mr Hudson, the butler. Chief amongst his reponsibilities was the management of the downstairs staff and ensuring the smooth running of the household. He was probably far more reactionary in outlook than those he served and took great pride in his own obsequiousness and servility towards those he indubitably regarded as his betters, something which he was always at great pains to impress upon those beneath him in his various strictures on the topic. Certainly, if the series had treated such matters with complete frankness, it would not have been difficult at all to imagine him administering a bare bottom spanking or caning to any pretty young parlourmaid, for example, who had slacked in her duties or, even worse perhaps, exhibited any lack of due deference and obedience to her masters and mistresses. Perhaps he might even have made it quite clear to a young serving wench that if a senior and elderly gentleman of the household, or a similar associate or associates thereof, took a fancy to her, maybe again for a session of spanking and caning, and quite possibly a bit of 'the other', it was not her place to demur. Those who did would find themselves thrown out on to the streets to starve! Ah, such wonderful times! At one time, 25% of the female working population did so in household service, you know?
ReplyDeleteMy favourite Mr Hudson moment came during the period of the suffragettes' campaign of vandalism and terror. Glancing at the headline of his Lordship's newspaper one morning, Hudson remarks to himself: "Well, if they want to vote like men, they should be flogged like men also!" How very true.
Indeed NMO. Yes I’m sure the Upstairs chaps would take regular advantage of the Downstairs parlourmaids - if they could ever pull themselves away from getting Upstairs Georgina’s knickers off for one thing or ‘the other’.
ReplyDeleteYes, the delectable Lesley-Anne Down. She would most certainly have qualified for the OBB! There is actually a scene in Upstairs Downstairs in which she is put over James Bellamy's knee (or 'Jumbo' as she calls him) and playfully spanked with a rolled up newspaper.
DeleteI recall that scene. There was also an episode in which Hudson developed a crush on a maid called Mary. He should have given the girl a bare-bottom spanking in his butler's pantry.
DeletePlayed by Karen Dotrice, sister of Michele Dotrice, Betty of Some Mothers Do 'ave 'em fame. Probably a vain attempt by Hudson to avoid his eventual fate - marriage to Mrs Bridges.
DeleteMrs Bridges could easily be interchanged for Mrs Burgess dealing with the maid Susan in Join The Dots on this estimable blog on May 1st last.
DeleteAs we know, ladies of a certain age, despite their homely exteriors, harbour a deep vindictive streak towards pretty young ladies. They are very jealous of these young tarts getting all the action. Mrs Bridges would no doubt relish every chance to bare one of these young maids across her sturdy kitchen table for a prolonged beating with her strong arms.
I'm sure Sir Geoffrey Dillon would have kept a maid, too, and kept her with a very sore bottom!
DeleteMrs Bridges was actually a bit of a bully with regard to those working immediately beneath her. First there was the Irish scullery maid Emily who committed suicide early on the series. Mrs Bridges immediately blamed her own harshness towards the girl for her unfortunate and untimely demise. Not that she reproached herself for very long as her behaviour towards Emily's replacement, the seemingly dim-witted Ruby (although she often had more guile about her than was apparent on the surface), was hardly very much different. One of the curious aspects of the series was though it covered a period of 27 years (1903-1930), the characters hardly seemed to age in all of that time so that by the end Ruby was still really a 'girl' whose dubious fate was to join Hudson and Mrs Bridges as their surrogate 'daughter' and employee in their new seaside boarding house venture. Unfortunately Ruby was not really of the material that spanking fantasies tend to be made of, being rather plain-looking to put it mildly. The nearest I think she came to a Blushes-type scenario was when, tired of Mrs Bridges's bullying, she left the Bellamy household and found herself a job as a 'maid of all work' in the middle class home of a starchy ageing spinster or widow (I can't remember which) played by the redoubtable Joan Sanderson who specialised in such roles (she was Mrs Richards, the deaf lady, in Fawlty Towers and Deputy Headmistress, Doris Ewell, in the school sitcom, Please Sir!) Ruby is run ragged in the employ of this lady and I think she, perhaps a bit more than Mrs Bridges, embodies that strict, cane wielding, female authoritarian image. As it transpires, Mrs Bridges rides to the rescue, and Ruby, having learned that there's even worse old dragons to work for than Mrs Bridges, returns to the devil she knows. One thing this episode brought to my attention was that, at one time, it was quite common for relatively modest, suburban middle class households to employ live-in domestic house maids. This has certainly provided inspiration when it comes to envisaging a new age of discipline, deference, hierarchy and order and a compulsory 'National Domestic Service' programme for lower class girls a la 'Girl Training 1998'.
DeleteYes, Anonymous, Sir Geoffrey Dillon would have made a marvellous Blushes-style girl trainer and disciplinarian.
DeleteTo be fair to Mrs Bridges, she did soften after Emily's demise, which was triggered by heartbreak over a young man. But the cook's bullying had been a factor in making the girl miserable. Yes, Joan Sanderson's character would doubtless have dished out smacked bottoms to a succession of overworked maids, none of them lasting long in her employ. I wonder, too, whether Lady Bellamy might have asked Sir Geoffrey to step in and assist with the discipline of Elizabeth on occasion, his gravitas a necessary bedrock at times when the spoiled filly was at her most insufferable. The series spanned different decades (as did Sir Geoffrey). I'm in two minds as to whether it would be more gratifying to flog a suffragette or a flapper girl.
Delete