Original Spanking Art — Dormitory Discipline 2 (Culver)
After Form XIII-A were dealt with soundly last week, Culver is back to witness the treatment of their schoolmates in Form XIII-B.
Check back later today for another reader contribution.
After Form XIII-A were dealt with soundly last week, Culver is back to witness the treatment of their schoolmates in Form XIII-B.
Check back later today for another reader contribution.
More wonderful, wonderful stuff, Colin. You are to be highly commended once again, Sir. As those long-haired layabouts, The Beatles, might have put it - listen to the colour of my dreams! And how we love to hear those plaintive girlish refrains, as the cane is once again about to commence its sterling work: "It's so unfair!" and "But, sir, I haven't done nuffink!" That definitely provokes a stir in the old trouser department. I am intrigued by the identity of the master in the top left hand corner of both frames. It looks like my old friend from Coronation Street, Percy Sugden!
ReplyDeletehttps://static.wikia.nocookie.net/coronationstreet/images/6/65/Percy_Sugden_1990.jpg/revision/latest?cb=20110501105350
Such happy memories of old Perce, methodically dealing with Tracy Barlow in his little flat above the community centre (where he worked as caretaker). In my imagination, at least - it certainly wasn't anything less than what that young rascal deserved.
Thanks NMO. The source drawing was from an issue of 'Justice' and was posted here in 'Orphaned Alan Bell Artwork 3'. It's always been an absolute favourite of mine. The bulky frame of Bell's night-duty housemaster, shaded in pencil, contrasts with the sylph-like trimness of the girl on the bed in the foreground, and reminds me of the rotund fellow in the 'Buzee Bees 3' photoset. It was that fellow's face which I assigned to Bell's housemaster. I decided that, in the style of this chap's 'Buzee Bees' outing, he might have a penchant during dorm punishments for dishing out canings in what is sometimes called 'the diaper position'. I'm glad that his thrashing of Tracy Wilkes in the collage also puts you in mind of Mr Sudgen and Ms Barlow, as that other Tracy was a character I loved subjecting to an OBB spanking from her stepfather in an earlier, cloth cap-themed collage. I made 'Dormitory Discipline 2' at the same time as 'Dormitory Discipline 1'. You might even notice that one face-down model appears in both XIII Forms. This was before all the delicious comments were added about a 'Lights Out Club' in response to the first instalment, and the possibility of the housemaster being joined in his dorm-duty exertions by a number of other masters, governors and specially invited uncles and stepfathers. Probably the chaplain too. One girl each. Many seasoned old hands make lighter work. - CC
DeleteYes, that fellow in Alan Bell's drawing is really up to his ears in it, isn't he? All of that lovely lissom girlishness on obedient display. No wonder he's got his hand in his pocket! The girl in the foreground looks completely done in. From the look of her bottom he's really given it to her hard, the cane that is. There is actually something rather post coital about her demeanour. And I am reminded that the sounds emanating from the female during such congress are not altogether dissimilar to those which arise from the cane's attentions. Yes, she looks done in but she's also looking ripe for being done in another way. Maybe that's what the master is fleetingly thinking himself as he surveys her already ravaged state, hand in pocket. I say 'fleeting', however, because of course numerous other girls are awaiting his disciplinary attentions, bare bottoms raised obediently aloft. All rather overwhelming really, in the most enjoyable possible way.
DeleteThe upended position the girls are put in, is a commendable choice Culver. Sometimes also known as the ‘Acceptance’ position it is one they especially hate. It rightly makes them extremely vulnerable with the backs of their legs clearly included in their targets; and their exposed thatch making them ‘other’ wise susceptible.
ReplyDeleteKatie from Blushes 3 on the right has a wonderful expression of soreness and defencelessness.
I approve also of the way you have them trying to wriggle out of being hit, and having childish tantrums and making a silly little fuss. It confirms their insolence. When will they learn that they don’t have to have done anything wrong? Accepting humiliation and punishment is good for self-discipline.
Masterful inclusion of young Valerie from Blushes 6 exposed and upended in the bottom left corner, with her little white vest pulled right up. Who is to be allocated her in Form X111-B. Is to be Henry Fultonby again? He has her for ‘the other’ in Blushes 7: ‘It was a tight fit but Mr Fultonby managed’.
Oh I expect they’ll all manage in the Dorm too.
'Acceptance' is a very apt term for the position so well illustrated by Culver's excellent collage. XIII-B, perhaps, are this year's leavers, undergoing one final special visit from the 'Lights Out Club'. The girls consider themselves as grown-up and ready to stick two fingers up to the odious masters that have tormented them with cane and tawse for so long. But they are set for a rude awakening this evening. One by one the girls, already divested of pyjama bottoms and knickers, must raise up their legs and display themselves. It is the most embarrassing position, as well as allowing the cane and tawse to reach those most tender areas, whilst having to see the gloating, self satisfied looks of their allotted gentleman. Although this may be their last punishment at this particular institution, the girls, at least the pretty ones, will soon realise that their position will be one of 'acceptance' for some years to come.
DeleteQuite right, too! No jumped-up ideas of university and a career. Whether or not any of them managed to pass any exams, the school references will be such that only the lowliest of menial jobs will be on offer. Of course, certain girls will have been chosen for a placement with one of the club members, most likely a live-in position. Then they will really learn acceptance of their true position. Acceptance of discipline using the cane and tawse and of course 'the other'. I'm sure girls in those placements will be renewing their acquaintance with many visiting members of The Lights Out Club.
DeleteThe position with a girl pushed flat on her back then with her legs straight and back towards her head is also called the ‘Admission Position’ and is labelled as such in a colour photo used to illustrate an admirable letter in Blushes 31.
ReplyDeleteOn the picture first: the pretty brunette has a suitably panicky look to her as this lewd punishment predicament always humiliates a girl. In large part because she can’t see just how much of her thatched snatch she is being forced to expose. Admission because pinned like this she is prone to owning up to whatever misbehaviour she is being punished for. Or as the letter suggests she might be owning up to something she hasn’t done to try to escape certain aspects of her corporal punishment imagined or real. C.N. writes:
‘I always especially enjoy situations where the girl has done nothing wrong and yet is still subjected to the most painful of punishments and the most soul-destroying of humiliations. That’s why I like the victims to be absolutely vulnerable to shameless exploitation’
In the Admission Position picture the girl’s vulnerability is in part down to the fact that flat on her back on a table her legs are then raised so that the whole of her bare bottom is on view. And despite her legs being straight together, she knows we must be able to see her thatch too.
The admission element is indicated by the fact she is not making too much of a fuss with her hands and they are palms-down to the table grasping the sides for balance.
Her admission of something she hasn’t done is of course in the hope she might get a reduced caning for her guilty plea. However it’s a fake admission and the little liar deserves far more cane and not less.
Blushes very nicely paired this Admission picture with a larger one alongside, amplifying her ‘confession’ with a picture entitled ‘Contrition’.
Here she is full frontal standing up against a wall with her hands clasped as if in surrender high above her head. She looks more worried than repentant but is again using what body language she can to to say sorry. The fact she is being made to fully expose her bush and little tits do express regret and even a willingness to accept her punishment. But it leaves her humiliated. She is almost offering herself. So the letter-writer’s liking for her ‘to be absolutely vulnerable to shameless exploitation’ is indeed evident. Despite her admission and contrition more cane and ‘the other’ present themselves more than ever.