Reform School Discipline 1 & 2

Both parts of this marvellous video, nicely edited and remastered by Shrek on spanking-board.com.

Review from spankingfilmreview.com:

This may be the most simplistic and perfect British schoolgirl corporal discipline video we have seen. It has been difficult to find, possibly because its stark realism makes it uninteresting in comparison to high velocity CP films these days. The spanking ritual and ageplay are exquisite.

The setting is a barren classroom, institutionally painted, industrial check-pattern floor tile, a few pieces of furniture, more like the classrooms we remember than those of Firm Hand or Red Stripe. We’re not in that situation where furniture was pushed aside to make a set. An average-looking brunette, Susan, not a bubble-butt CP model, wearing perfect school kit, reports to a smarmy ageplay guy who should be past retirement age. She and a confederate are accused of something and will be punished for it. She is sent away, to return later.

The old man looks at the punishment book and observes that Susan is really not a bad girl. He checks a cabinet for the spanking implements. He tries to appear weary and burdened by all this, but this must be a principal reason he waived retirement. Betty, the confederate, knocks and enters, another perfect little schoolgirl. After a scolding, she hears ‘12 strokes of the strap,’ and she has been here before.

She moves slowly and kneels up on a chair. She tucks her own dress up and the teacher pulls her panties down, and he doesn’t hurry. He lays on 6 strap strokes from each side. Not hard, but good ritualistic fuss. Nice facials, closeups, and surprising marks.

Susan returns for the evening session. She has been at this (reform) school for three months and knows what to do. It is made clear it will be the cane. He makes her say the word. She objects just briefly when she is ordered to remove her jumper and knickers. To clear the table, the teacher sends her out of the room with a floral display. Surely the director noticed too late that if her blouse had been an inch or two shorter, we would have enjoyed her walk. But the diversion produces tension, because the cane awaits.

The teacher adjusts the table, a demonic device whose specifications must have puzzled the carpenter. He drops a large centre leaf, which produces a ramp for Susan to lie over, her bottom highest. She will receive 18 strokes of the cane. The strokes are harder than the cane was, and the teacher, a practiced caner, is careful to move from side to side. Desperate gripping hands, facials, tears. Noticeable marks and some skin pops. Betty is brought back to witness the final few strokes. She had better not avert her eyes.

The second half of the film features Alan Bell, with a Miss Quail, in the same classroom. She is already over the leaf of the table, bare bottom, being caned, slowly and teasingly, her white panties perfect at her thighs. Bell was as lecherous an ageplay as ROUE had. He has her stand and raise her skirt for his frontal look and a twirl.

Betty is called back and is spanked and tormented while she positions herself in a square marked on the floor. She too must show him her jewels.

More OTK spanking. The antique chair squeaks. Bell wants her to take her clothes off, he does this often. She stops at her gymslip. He generally torments and teases her in various positions, strapping, spanking, and making her raise her slip up to expose herself. Old fashioned ageplay stuff in the Roué mould, delivered from a guy who can get away with it and taken by a girl with no options. 

  

Comments

  1. Though I very greatly appreciate that the quality of picture and sound has been significantly improved in this presentation, I don't really understand why substantial sections have been removed from Part 1. I think a particularly sad loss is the section in which we learn of the background to Susan and Penny's punishments, which is that Susan (aided by Penny) had written a letter to what she presumably assumed to be a friendly 'do-gooder' type vicar in the hope that he might intervene to secure her release from the institution but who, rather satisfyingly, turned out to be an associate of Mr Wallace and duly reported her misdemeanour to him. Just adds a nice plaintive note to the proceedings, I think. I'm sure 'His Reverence' would have enjoyed bearing witness to the fruits of his actions. Or maybe he was watching through a spyhole in some hidden location, behind a false wall perhaps, somewhere in which he could surreptitiously give full vent to his enjoyment.

    I can't help wondering also why it was that Susan needed Penny's aid in sending this letter? My best guess is that Susan is largely illiterate and it was Penny who actually penned the offending missive. How sad. In another part of the missing footage we hear Mr Wallace saying that Penny is 'not a bad girl really' but nevertheless 'discipline has to be maintained'. How very true.

    'Mr Wallace' and Alan Bell are just the types of men I like to see dealing with young female miscreants and both turn in powerful performances that lend the film a real feeling of authenticity. You could almost be watching a documentary, albeit one from a parallel universe. There's almost a 'Ken Loach' feel about it! Ha! Ha!

    Strange how the table is converted into that sloping contraption by Mr Wallace for his caning of Susan and yet is kept flat when Alan Bell has her over it. It looks a bit unsteady to me, especially when Susan is made by Mr Wallace to insert her legs under it. I could have imagined her weight pulling the thing over and on top of her, in what might have been a rather nasty little accident. Maybe they decided to keep it flat for Susan's second caning because of that?

    A really nice touch was how Part 2 opens with the camera close in on the flesh of Susan's writhing, naked buttocks accompanied by the gasping, breathy sounds of her turmoil and distress and Bell's remorseless, taunting intonation over it. This very much seems to immerse the viewer in all of the drama and excitement of the caning taking place. Then gradually the camera pulls away and we see more clearly the cane slicing in to those well striped and superbly rounded young bum cheeks. Very nice indeed.

    Yes, it's so nice to see such a convincing portrayal of girl training and discipline as we witness in this production. Alan Bell, in particular, is really in his element here. The setting of a 'Reform School' lending itself to firmer methods than that which might be appropriate in an ordinary school environment, even by 'Roue' or 'Blushes' standards. Of course, one is bound to reflect on the type of society that such an institution as depicted here might exist in. One in which the scandalous behaviours of today's young women are no longer tolerated perhaps? That is a very pleasing thought for me. The picture I link to below also evokes such sweet contemplations!

    https://www.rambooks.com/2415-large_default/roue-no15.jpg

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